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Climbing
The Arkansas ¹ú²ú³Ô¹ÏºÚÁÏ Series: Horseshoe Canyon Ranch
Partners in the Outdoors: Rock Climbing
Rock Climber Pete Whittaker Flashes One of the Hardest Trad Routes
Alex Johnson Shares How You Can Support LGBTQI+ Advocacy
A Crystal Hunter Gets Up Close and Personal with His Bounty in New Film
After a Nearly Fatal Fall, Climber Hazel Findlay Confronts Her Fears on the Rock
Sonya Wilson Has Been Lifting Up Deaf Climbers for a Decade
Slacklining Is All About Mental and Physical Balance
Canada’s B.I.G. Initiative Empowers Women to Achieve Their Climbing Goals
These Women Are Making Space for Femininity in Climbing
It Isn’t Always Easy to Be a Female Climbing-Gym Owner
‘Not Just a Boys’ Club’ Kicks Gender Stereotypes in Climbing to the Curb
How Hazel Findlay Used a Kitchen Essential on a Difficult Climb
Olympic Climber Colin Duffy Is Just Getting Started
For the Texas Lady Crushers, Rock Climbing Is a Sport for Everyone
New Climbing Film Chronicles the First Ascent Across Denali
This Tennessee Climbing Trip Will Get You Excited for a Season on the Wall
Matt Cornell’s Solo Climb of the Nutcracker Is a Testament to His Mental Fortitude
Kai Lightner Wants to Encourage the Next Generation of Rock Climbers
Why Marc-André Leclerc Agreed to Be Filmed in ‘The Alpinist’
Climbing Picacho Del Diablo
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Jesse Aizenstat of MediaÌýis used to big-budget shoots and working with high-end cinema cameras, which is why he wanted to do something different with his recent film, . When he and his friend set out to climb the tallest peak in Baja, he took only his iPhone 6S and a GoPro to document the trip. This trailer for the film explains the pair's reasoning for the trip and is a prime example of the notion that it's the photographer that makes the difference, not the camera. You can watch the full film .Ìý
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