Mirrorless cameras have been nipping at the heels of DSLRs for years now, but they hadn’tÌýsurpassed them because of their limited functionality. Something was always wrong: Maybe the focus was too slow, or maybe the mirrorless options struggled in low light. That all changed with the $3,199Ìý.ÌýThis camera doesn’t justÌýmatchÌýsome top-shelf DSLRs—it actually bests them.Ìý
The Takeaway
​The Good:ÌýThis is the firstÌýmirrorlessÌýcamera that truly challenges, and in some ways overtakes, the powerhouseÌýDSLRsÌýthat pro outdoor shooters have relied on for years. You get the functionality of a camera like the Canon 5D Mark IIIÌýpacked into a significantly smaller body.
​The Bad:ÌýThe lens selection for the Sony a7RÌýII is goodÌýbut not quite as varied as what Canon or Nikon offers. Also, it’s going to takeÌýDSLRÌýshooters a little while to get used to the ergonomics of this smaller camera. Some people might find it harder to work with just one hand.
The Verdict:Ìý​This full-frame camera is a gameÌýchanger for outdoor photographers because it enables them to shoot magazine-quality images or documentary-quality video without the former bulky pro setup. We’ve already seen some shooters ditch theirÌýDSLRÌýgear, and we suspect more will follow.Ìý
Specs
- ±Ê°ù¾±³¦±ð:Ìý$3,199
- °Â±ð¾±²µ³ó³Ù:Ìý​582 grams
- ²Ñ±ð²µ²¹±è¾±³æ±ð±ô²õ:Ìý42.4
- ISO Range:Ìý​50–102,400
Image Quality
The centerpiece of the a7RÌýII is a 42.4-megapixel backside-illuminated full-frame sensor. Translation: You get a camera with loads of megapixels (you could easily shoot a magazine assignment or billboard with this thing) that also performs exceptionally well in low light. (The backside illumination technology allows more light to hit each pixel). Normally one of those features is better than the other, but the a7RÌýII nails both.
In addition to all that resolution, the a7RÌýII also features a five-axis image stabilization system to help users take crisp video and nonblurry photos in super-low light. There’s also the gigantic 50 to 102,400ÌýISO range for those conditions.Ìý
Functionality
You can silence the shutter of the a7R II—ideal for travel and wildlife photographers—and it’s rated to 500,000 lifetime actuations, or clicks, which means it won’t fail even if you use the camera every day for years. Photographers who shoot sports need a whippy-fast, robust autofocus system, and the a7RÌýII delivers with 399 autofocus points that help ensure peak-action shots are always in focus.
It shoots only five frames per second, which might be too slow for some ski photographers who prefer cameras like the 12-frames-per-second Canon 1D-X. But that’s still plenty fast for most outdoor sports.Ìý
Video
The a7RÌýII separates itself from the other cameras in Sony’s a7 line by offering built-in 4K recording abilities (previous models required an additional recorder). With that capability, plus an impressive dynamic range, a highly gradable s-log2 video format, and stellar performance in low light, the a7RÌýII is a video powerhouse.
Many shooters will use this as their principal rig. Larger productions will likely use it as a second camera or even strap it to a drone. Don’t be surprised when ski movies five years from now are shot entirely with this camera.
Ergonomics
Photographers who’ve used DSLRs for years might not like the ergonomics of the a7RÌýII at first. I found it doesn’t fit into one hand quite as nicely as the Nikon D800Ìýor a Canon 5D, and it doesn’t feel quite as meaty and steady as a DSLR when you’re holding the camera with one hand and focusing with the other.
The buttons and dials are set up differently from any Nikon or Canon I’ve ever used, so they took some adjustment. But after just a week of playing around, I got used to the new configuration.Ìý
Weight and Size
The a7RÌýII body weighs 582 grams. For comparison, the weighs 860 grams. That extra weight makes a big difference over the course of a long ride or route. That weight savings also makes a difference when you’re holding up the camera for an extended period of time.Ìý
Inside a bag, the a7RÌýII and its lenses take up significantly less room. You can easily pack two bodies and four or five lenses into somethingÌýlike the . With a DSLR, you might fit two bodiesÌýand two lenses.
The Competition
There are cameras on the marketÌýwith better specs than this Sony. The has aÌýhigher resolution, and Sony’s mirrorless is just as good, if notÌýbetter,Ìýin low light. But no other cameraÌýhas as many top-level features packed into one relatively smallÌýbody. IÌýsuspect DSLR manufacturers like Canon and Nikon, as well as other mirrorless manufacturers like Fuji and Olympus, are currently figuring out how they can build their ownÌýcameras with similar specs.