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Yeso
Debra Dawson in front of the archway where Yeso鈥檚 school buses would drop off students (Photo: Gabbi Campos)

Why This Woman Chooses to Live in a Ghost Town

As one of the only inhabitants of an abandoned railway stop in eastern New Mexico, Debra Dawson has been social distancing for decades. Attracted to its history and surrounding landscape, she's found happiness far away from just about everyone.

Published: 
Yeso
(Photo: Gabbi Campos)

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Inside a refurbished schoolhouse in a ghost town on New Mexico鈥檚 rural eastern plains, Debra Dawson sits on the side of her bed. 鈥淪ome people call me a crazy cat lady,鈥 she says, motioning toward the pile of kittens cuddling on her bedspread. 鈥淚 don鈥檛 care. Living out here can be lonely, and they are a good company.鈥

Company in the town, named Yeso, is indeed hard to come by. Dawson, 65, is the only person who lives among its crumbling structures聽(though two other people live in houses on the highway going through town and are technically also residents). Yeso was once a burgeoning railroad stop, but over the past 70-odd聽years, its inhabitants slowly abandoned it. It was deserted decades聽before聽Dawson moved here with her then husband. She is one of just a handful of people known to permanently live in the ruins of the many ghost towns sprinkled across the West鈥檚 high plains.

鈥淗ard to imagine 300 families here,鈥 Dawson says, walking through one of Yeso鈥檚 collapsing adobe neighborhoods, shadowed by her dogs, Duchess and Missy. Dawson has bright blue eyes and shoulder-length blond聽hair that she wears tied back. She is sporting an Army green jacket that conceals a well-used Pink Floyd Dark Side of the Moon聽hoodie. It鈥檚 an unseasonably cold day in October, and a fog has settled on the landscape, coating the mesquite, sagebrush cacti, and grasses in dew. As the weather聽grows colder, the air freezes, leaving the plants covered in tiny icicles that reflect the afternoon sun and vibrate in the steady wind. 鈥淚f it鈥檚 windy anywhere in New Mexico, it鈥檚 windy here,鈥 says Dawson. 鈥淏ut it sure is pretty.鈥

Yeso
An abandoned motel in Yeso, New Mexico (Gabriela Campos)

On our walk around town, we pass by dozens of buildings in various states of decay: a peeling wood-framed dance hall, the聽gutted Super Service Drive-In Garage, and a dilapidated three-story hotel with a faded sign that reads 鈥淢esa Hotel鈥擱ooms 75 cents to a Dollar.鈥 According to聽John Mulhouse, the founder of a ghost-town documentation project called , 鈥淵eso is intact. Not much has been torn down or lost. It feels charming in a way that abandoned places don鈥檛 always feel.鈥

When we arrive back at Dawson鈥檚 home, we examine the plastered adobe arch outside her schoolhouse, where children would line up (girls to one side, boys on the other) to catch the bus a century ago. 鈥淚 would have loved to go back and see what it was like then,鈥 Dawson says. 鈥淚t鈥檚 an odd and interesting thing to be surrounded by the memories of the past.鈥


Yeso was first established in 1906 when the Belen Cutoff鈥攁 new section of the Santa Fe Railroad鈥攚as built, along with a train depot. But the switch from coal to diesel engines during the 1930s necessitated聽fewer railroad stops, and the general postwar downturn in train travel eventually led Yeso鈥檚 inhabitants to leave聽it for larger towns and cities. The area聽became a victim of the broader forces of rural decline that have left enumerable communities across the country emptied or reduced to shadows of their former selves. 鈥淭hese towns are everywhere,鈥 says Mulhouse. 鈥淭his is lost Americana.鈥

Dawson and her former husband arrived in Yeso in the late 1980s. The couple moved from a silver-mining ghost town in Idaho, where they had lived in an abandoned storage facility. According to Dawson, ghost towns were always her ex-husband鈥檚 passion. He relished the isolation, the abandonment, and, above all, the absence of neighbors. 鈥淗e didn鈥檛 do well with others,鈥 she says.

Yeso
A former Yeso home now overgrown with cacti (Gabriela Campos)

The Idaho town was a bit too cloistered though, at least for Dawson. 鈥淚t snowed June first and didn鈥檛 stop till May,鈥 she says, recalling the brutally cold winters. 鈥淏eing cooped up in a house, that was too much for me.鈥 On their way to Florida following the death of Dawson鈥檚 mother in 1988, the couple happened to drive by Yeso and聽were immediately attracted to the town. Dawson loved the expansive plains of eastern New Mexico, the quiet, and the remains of the charming old WPA-era buildings located on this聽lonely聽stretch of Highway 60. It was 22 miles from the nearest town, Fort Sumner. The weather was better, too.

Dawson and her husband spontaneously decided to put down roots in Yeso. They moved into聽a brick house on the main road聽and began the arduous process of remodeling the nearby school, which they purchased for $10,000. When Dawson divorced her husband some years later, he left, and she stayed. 鈥淗e took the cars,鈥 says Dawson, referring to the 35 custom vehicles鈥攎ostly Buicks鈥攖hat he kept in a large garage connected to the school. 鈥淚 got the house.鈥

Dawson has lived by herself ever since, getting by on Social Security checks. She drives herself to Fort Sumner twice a week for church and groceries聽and is close friends with one of her neighbors on the highway who checks on her every day and takes her into town when the roads are icy. (The only significant way that COVID-19 has changed Dawson鈥檚 life is that her church has closed its doors鈥攖his April was only the second time since 1961 that she鈥檚聽missed an Easter service.)

As the years passed, Dawson became increasingly interested in Yeso鈥檚 history聽and the small details of community life that define a place but are often lost when towns are abandoned. So she went to the library in Fort Sumner to research the WPA鈥檚 impact on Yeso聽after the Great Depression聽and talked to former residents and others in the region who knew its history. 鈥淚t was a poor town聽but a real community,鈥 Dawson says, motioning to a tiny house, the smallest one still standing, where a family of 15 once lived.

Yeso
Debra Dawson (Gabriela Campos)

Years back聽she met the youngest of the 12 children who once crammed into the adobe structure. 鈥淚 was told that when it was nice out, the boys would sleep under the stars,鈥 Dawson says. That woman, who died in in the 1990s, recounted聽other stories of life in Yeso. 鈥淚f one person had meat, they鈥檇 pass it out so that everyone had it,鈥 Dawson聽says. 鈥淪he told me that every house would have a pot of beans and fresh tortillas going. After school聽the kids could stop in at any house and eat.鈥

Dawson acknowledges that some might find it odd that she chooses to live surrounded by the memories of a more vibrant past. 鈥淧eople in Fort Sumner ask me that often,鈥 she says. Her answer is simple: 鈥淚 love it.鈥 Life in Yeso suits her, she says.聽She has her faith, her small community, and her animals.

Yeso
An abandoned house in Yeso. (Gabriela Campos)

In the years since her husband left, her home has become something of a de facto animal shelter. 鈥淎 lifelong dream,鈥 as Dawson describes聽it. 鈥淎s long as I can remember, I have had a connection with animals.鈥 She says that during her 30 years living in Yeso, she has rescued and found new homes for聽more than 50 cats and dogs, many with rough pasts like hers. It鈥檚 gotten to the point where people in Fort Sumner will frequently call her to tell her about a stray that needs a home. Other times animals will just show up. 鈥淭his one was tied to my gate,鈥 she says,聽motioning to Duchess, who is sitting on her feet.

Even for Dawson, though, it can be tough to watch the continual decay of the place she calls home. For instance, the old Catholic church in town has now lost its roof聽and the walls are beginning to go. 鈥淚 contacted the local archdiocese to see if they would fix up,鈥 she says. 鈥淭hey said no. It is sad to see these places just deteriorate.鈥

While it has been nearly 70 years since the last Yeso student walked through the doors of the old schoolhouse, Dawson has filled the space with life. 鈥淚t鈥檚 why God put me here,鈥 she says, back inside her warm house, surrounded by cats. 鈥淚 would not have it any other way.鈥

Lead Photo: Gabbi Campos

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