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If escaping to a Scottish lake (sorry, loch) sounds lovely right about now, Sarah Moss鈥檚 Summerwater will do its best to convince you otherwise.
If escaping to a Scottish lake (sorry, loch) sounds lovely right about now, Sarah Moss鈥檚 Summerwater will do its best to convince you otherwise. (Photo: Liam Grant/Stocksy)

3 New Fiction Books Explore Disaster and Survival

These recent literary works feature unsettling tales set in familiar locations

Published: 
If escaping to a Scottish lake (sorry, loch) sounds lovely right about now, Sarah Moss鈥檚 Summerwater will do its best to convince you otherwise.
(Photo: Liam Grant/Stocksy)

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There鈥檚 something lurking beneath the surface of each of these new fiction releases. Sometimes it鈥檚 literal (water snakes!), but mostly it鈥檚 a feeling of unease, impending doom, or everyday life going askew.听All three books set us in the present day, in places like听Sydney,听a Scottish lakeside retreat,听and a small midwestern town. We meet characters who are going about their days and feeling, you know, normal levels of ennui. But then come the fires, earthquakes, accidents,听and鈥 human hibernation? These books take a literary approach to heavy themes like climate change and survival, but often with a satisfyingly weird bent that propels the stories forward and casts new light on familiar ideas. In other words, all of them would be ideal to absorb yourself in while听late-season snowstorms swirl outside.

鈥楾he Inland Sea,鈥 by Madeleine Watts

(Courtesy Catapult)

The unnamed narrator of Madeleine Watts鈥檚听 spends much of her time engaging in self-destructive behavior, including but not limited to excessive drinking, having an affair with an old lover, and ignoring bruises, hair loss, and other signs of amysterious health issue. Then again, everyone around her seems prone to equally heedless decisions. She lives in Sydney, where , , flooding, and other climate-change-fueled natural disasters are a constant threat. Still, she watches coastal residents听buy more insurance on their at-risk homes instead of moving; she imagines 鈥渟harks butting up against the windowpanes鈥 one day. In a particularly on-the-nose plot device, she gets a job as an emergency-dispatch operator and finds herself feeling more paranoid and helpless as she spends her days hoping to assist people in crisis before it鈥檚 too late.听

The plot is more observational than action-packed; we spend the whole time in the narrator鈥檚 head as she slogs through each day, recalls scenes from her childhood, and brings up random bits of history and literature that speak to her own anxieties. In recurring historical passages interspersed with the narrator鈥檚 own thoughts, she talks about her great-great-great-great-grandfather, John Oxley,听 who searched fruitlessly for Australia鈥檚 鈥渋nland sea.鈥 He imagined a mythical Eden in the middle of the continent, where there is actually just more landlocked bush. Our lost narrator is both a hot mess and a sort of Cassandra, who sees humanity hurtling toward a scary future and ignoring all the signs of what needs to change. Through her, Watts astutely weaves together observations on sexual autonomy, ill-fated journeys, Roman myths, family ties, and how mundane the effects of climate change can feel, until they don鈥檛.


鈥楲ife Among the Terranauts,鈥 by Caitlin Horrocks

(Courtesy Little, Brown and Company)

In her听, Caitlin Horrocks鈥檚 pieces run听the gamut from 鈥渨here the heck did you think of this idea?鈥 to 鈥渆ssentially based on a true story.鈥澨齋omehow听each still feels believable in its own way. The first and last entries are a case in point.听In the first, 鈥淭he Sleep,鈥 a man named Al who lives in a quiet midwestern town decides to hibernate each winter. This is bizarre, but the guy actually makes a convincing case for it.听He explains that astronauts want to do it for long trips 鈥渟o they don鈥檛 go nuts and kill each other鈥 (). He also, perhaps apocryphally,听explains that in the old days in Russia, people would mostly sleep around the fire much of the time: 鈥淥nly so much food could be laid in, and the thinking went that unless a man had something to do in the cold and the dark that justified the calories, he was better off doing nothing.鈥 Things get stranger as other townspeople discover the definitely made-up benefits of sleeping for months on end (straighter teeth and dreams of paradise). Still, you can kind of imagine that if this were to happen in real life, it would go as Horrocks describes, with听reporters catching on and a Dr. Oz鈥搕ype character weighing听in on national news, saying that 鈥渓egislation should be passed before the custom could spread.鈥澨

The last piece of the collection shares the name of the book, and its plot bears a close resemblance to the real story of听Biosphere 2. In both the fictional and real-life versions, people enter听a sealed-off biodome and tryto survive there for as long as possible, with the real challenge being group dynamics. Cults form! Money and reputations are on the line! Again, most of this really did happen!

Life Among the Terranauts sometimes relishes going off the rails altogether, as in a story about a woman traveling an Oregon Trail that seems to be a weird hybrid of the real thing and the game version (fellow travelers have names like ChezyPizza). But even the silliest concepts are vehicles for realistic characters who are searching for more meaningful connections in difficult or lonely circumstances. The stories are absurdist little morsels that make youthink deeply about dealing with loss, hardship, and isolation.


鈥楽ummerwater,鈥 by Sarah Moss

(Courtesy Farrar, Straus and Giroux)

If escaping to a Scottish lake (sorry, loch) sounds lovely right about now, Sarah Moss鈥檚听 will do its best to convince you otherwise. In this novel,听set amid听a community of vacation cabins and taking place in a single day听of relentless rain, we hop from one vacationer鈥檚 mind to another, picking up eerie clues along the way that something bad will happen before the next morning arrives. Moss has a deft hand with the stream-of-consciousness format through which she presents each character, from a mother sneaking out for a dawn run to a teen escaping his family with some alone time on a kayak. You start to recognize characters whose minds you鈥檝e just spent time in, as they鈥檙e observed by other characters. The running woman contemplates her weak heart, remembering her doctor鈥檚 advice to never run alone: 鈥淏ut what鈥檚 another person to do, if her heart stops? How would it help, to have a witness?鈥 In the next chapter, a grumpy old man whose cabin she briefly passes sees her run by: 鈥淲ouldn鈥檛 even know if someone was coming up behind her, and what about her children, who looks after them while she鈥檚 wearing out her joints, pounding down that hill in her underwear?鈥 Mysterious little asides appear between each chapter, in which the woodland creatures听around the loch give silent and often creepy watch over the humans鈥 goings-on. 鈥淪mall creatures in their burrows nose the air and stay hungry. There will be deaths by morning.鈥 It鈥檚 a slim novel that builds tension right up to the end, and the intrigue is more in the journey than the destination. You鈥檒l likely relate to some characters鈥 thoughts听but consume most of the book like some highbrow reality TV: watching everyone watch each other, and wondering when things will go wrong.

Lead Photo: Liam Grant/Stocksy

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