has been held in the heart of the San Juan Mountains every Memorial Day weekend for 44 years. The festival brings together athletes, filmmakers, and cinephiles to the picturesque town of Telluride, Colorado, to watch hundreds of the year鈥檚 best adventure films and attend talks with movers and shakers in the outdoor world (in 2019, once such conversation ), often around themes of social and environmental justice. This year, from May 26 to 30, the event is making its long-awaited return to full in-person screenings after going virtual for two years. (You can .) In-person festival attendees can expect talks, presentations, and about everything from adventure in the Greater Ranges to illegal wildlife trafficking. If you can鈥檛 make it all the way to Telluride, don鈥檛 worry: the festival will move online from May 31 to June 7 for those who want to watch from vans and couches near and far. Later this year, for the Mountainfilm World Tour, coming to a town near you with a selection of highlights from the festival.
Here are the four feature films we鈥檙e most excited about.
The Territory
The Territory, which took home at the Sundance Film Festival earlier this year, follows the Indigenous Uru-eu-wau-wau people in the Brazilian Amazon as they fight to protect their land鈥斺渁n island of rainforest surrounded by farms鈥濃攁gainst rapid deforestation at the hand of illegal logging and farming.
In the 1980s, the Brazilian government first contacted the Uru-eu-wau-wau, who live on a reservation in the state of Rond么nia. Since then, their population, once in the thousands, has dwindled to fewer than 200. Director Alex Pritz tells the story of this fight through footage captured over three years and embeds with both the invaders and the Uru-eu-wau-wau so viewers can get to know both groups. We watch as the Uru-eu-wau-wau take weapons into the forest to look for invaders and as the farmers, who are looking to clear the land to build their homes, burn down swaths of forest. The film, shot by Pritz and co-cinematographer Tangae Uru-eu-wau-wau, a member of the tribe, is both visually beautiful and critically important. The race to protect the rainforest and the existence of this tribe is ongoing and urgent.
The Sanctity of Space
The Sanctity of Space, the highly anticipated film by Renan Ozturk (Meru, Sherpa, Into the Mind) delivers more of the stunning high-altitude cinematography we鈥檝e come to expect from him. Ozturk and co-director Freddie Wilkinson, a professional climber and guide, set out with fellow climber Zach Smith to attempt the difficult Moose鈥檚 Tooth Traverse in the Alaska Range, which had never been done before. 鈥淭here are certain skylines wilder and far more beautiful than the sum of their parts,鈥澛 of one of their attempts. 鈥淭he Fitz Roy massif in Patagonia, the Aiguilles of Chamonix, and the Trango group in Pakistan. These are places where each mountain seems positioned to complement the next, the ridges and couloirs folding against each other in harmony as if one peak cannot exist without its neighbors. The Mooses Tooth massif in Alaska鈥檚 Ruth Gorge forms another such skyline.鈥
The climb was inspired by a single black-and-white photo taken by the late aerial photographer and mountaineer Bradford Washburn, which captivated Wilkinson. The film chronicles the team鈥檚 various attempts over several years to complete the route, and the near misses, accidents, and deaths of friends they experience along the way. It also highlights Washburn鈥檚 legacy in the world of alpinism. The mountaineer, cartographer, and photographer was known for his first ascent of the West Buttress of Denali in 1951 (the current trade route to the summit) and taking photos of the Alaska Range while leaning out the window of a small plane, holding a huge, heavy camera. The Sanctity of Space taps into one of the core reasons we love adventure films: to witness a difficult feat up close and follow along as the subjects go after dreams they can no longer ignore.
Learning to Drown聽
Learning to Drown profiles pro snowboarder Jess Kimura鈥檚 journey to build a successful career鈥攊ncluding her many brutal crashes as she works out various tricks鈥攁nd follows her through the grief that ensues when she falls in love with and then loses her partner, Mark Dickson, in an accident. Just as Kimura was hitting her professional stride鈥攇etting segments in predominantly male snowboard movies, winning a silver medal at the 2013 X Games, and creating her own all-female films鈥擠ickson was hit by a car while out riding his dirt bike.
In the film, Kimura is both subject and guide, sharing her path as she works through her pain, navigates the turbulence of grief, and adjusts to a life without her partner. It鈥檚 messy, raw, and honest. Like the film Torn (which 国产吃瓜黑料 has previously covered and is also showing at Mountainfilm this year), Learning to Drown doesn鈥檛 shy away from being vulnerable while confronting deep loss and grief. Kimura, unstoppable on a snowboard, has an intense fear of water. Through making herself learn to surf, she discovers that she can handle her biggest fears and her deepest grief and learns to adjust to a new life without Dickson. Director Ben Knight (Denali, DamNation) brings his usual level of sincerity and tenderness to this carefully crafted story.
Tigre Gente
Tigre Gente shines a light on the global jaguar trade by following two people engaged in fights on separate continents to protect the threatened species before it鈥檚 too late. Marcos Uzquiano, director of the Madidi National Park in Bolivia, launches an investigation of illegal hunting in his rich and biodiverse park, chasing poachers with his fellow rangers. Meanwhile, in Hong Kong, investigative journalist Laurel Chor is following a parallel thread, working to uncover the pervasive wildlife trade in China. Their paths cross when Uzquiano discovers the illegal hunters in Bolivia are selling the jaguars for parts to Chinese smugglers who are working to meet a rising demand for jaguar teeth in Asia. Directed by Elizabeth Unger, a National Geographic explorer and documentary filmmaker, Tigre Gente boasts incredible access to Uzquiano and Chor鈥檚 efforts and to beautiful landscape shots. The result is a dramatic, high-stakes story.