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In the Canadian High Arctic, a polar bear wanders across the frozen sea
In the Canadian High Arctic, a polar bear wanders across the frozen sea
In the Canadian High Arctic, a polar bear wanders across the frozen sea

Published: 
Sponsor Content: OLYMPUS

How to Photograph Wildlife in the Winter

All the gear and techniques you鈥檒l need to nail the perfect snowy moment

In addition to being the most fun and serene time to play聽outside, winter can also be the best聽time to聽capture animals in their natural habitat. There are often fewer people out tromping around, and聽snow and soft winter light can create聽truly magical pictures. Of course, with colder temperatures, there's less room for error鈥攂oth in terms of planning safe outings聽and making sure all of your gear is dialed. To make sure you have what you need when you head out, we asked Pulitzer Prize鈥搘inning wildlife photographer and Olympus Visionary for his top snowy-season聽tips. Here鈥檚 what he said.

Protect Your Batteries

Like most batteries, camera batteries lose energy in the cold, so Dickman has an entire system to ensure they keep working. First, he starts with rechargeable batteries that are rated for colder temps, like the , which fits his camera and works in temps as low as聽around 14 degrees. Next, he always makes sure his gear is completely juiced. 鈥淔ully charged batteries are key, especially in cold weather,鈥 he says. As backup, he always brings two to four extra batteries. And finally, he keeps those spare batteries warm by storing them in an internal pocket next to his body and, on really cold days, wrapping them with hand warmers.

(Olympus OM-D E-M1 Mark II, Zuiko 50-200mm F2.8-3.5 lens, 1/500 second at F8.0, ISO 200)

Check the Weather

There鈥檚 a difference between weather that can add texture and pop to an image and weather that can kill you, or, at the very least, make you pretty miserable and ruin your chances for a good photo. To know what to expect, Dickman聽uses a variety of apps and聽websites. He likes because it provides detailed weather by elevation, and the 聽because you can request a spot forecast at your exact location. His two go-to apps are聽, which gives you an hour鈥檚 notice of any incoming precipitation, and , which shows the sun鈥檚 path, magic hours, rise and set times, and more. All that data allows Dickman聽to more accurately聽predict optimal light conditions and figure聽out exactly what time the sun will disappear behind a feature.

Shoot in RAW

White, snowy landscapes help fill in annoying shadows and can create a certain pop in your photos. But they can also be hard to expose for, because they鈥檙e so bright. Dickman works hard to nail the right exposure by paying attention to tools like his camera鈥檚 histogram, but he also shoots large 20.4-megapixel uncompressed RAW files on his OM-D E-M1 Mark II so that, if need be, he can make highly detailed exposure adjustments in post-production.

(Olympus OM-D E-M1 Mark II, M.Zuiko 300mm F4.0 IS PRO lens, 1/640 second at F4.0, ISO 320)

Use the Conditions to Your Advantage

Dickman likes to include the snow as an extra element in all of his winter photos. 鈥淲inter opens up that extra dimension. It adds background, a feeling, texture, and is just one more tool for you as a photographer,鈥 he says. 鈥淎 slow shutter offers a blur of snow, while a high shutter can freeze聽snow in place.鈥 He also likes to take advantage of the angular sun during the winter, which is why he's so fond of shooting in the Arctic or Antarctica, where the聽golden light can last nearly the entire day. For those who can鈥檛 travel, he suggests wide-open spaces that can capture the texture of the snow and allow for聽angular light to shine through unobstructed.聽

Be Careful When You Walk Inside

If you bring a cold camera inside, it will immediately be covered in condensation and the lens will fog up. When you realize your error, you may rush back outside, only to have the condensation freeze. To prevent that problem, Dickman often leaves his cameras outside while he warms up but brings his batteries with him to keep them from losing their charge. When condensation or frost does build up on his gear鈥攕ometimes it can鈥檛 be avoided鈥擠ickman isn鈥檛 worried, because he relies on a camera like the聽and glass like the聽听补苍诲听, all of which are fully weather-sealed.

(Olympus OM-D E-M1 Mark II, M.Zuiko 300mm F4.0 IS PRO lens with M.Zuiko MC-14 1.4x Teleconverter, 1/1000 second at F5.6, ISO 320)

Dress Properly

It's easy to get chilly聽sitting around outside and waiting for the light or an animal to materialize. To make sure he鈥檚 prepared, Dickman has a layering system. For his hands, he wears liner gloves聽thin enough to control the camera under well-insulated mittens. When it's time to shoot, he can quickly pop off the mittens with minimal fumbling. A warm down jacket with plenty of pockets (both external and internal) and a pair of insulated boots are also key. If Dickman knows he'll be waiting around in one spot for an especially long time, he'll bring聽a small piece of a foam sleeping pad to stand on as an additional layer of insulation between him and the cold ground.聽Finally, to protect his face, Dickman聽often wears a neck and face gaiter and wraps his tripod with a neoprene sleeve so that the freezing metal never touches his skin.

Go Out at Night

It might be tempting to stay inside by the fire when it gets dark, but聽winter's unique atmospheric conditions聽can make for ideal聽night-sky photography. 鈥淎 low-pressure system can clean a lot of the humidity and dust in the air out,鈥 Dickman says. 鈥淚t can sweep out all the scuzz and you can have really wonderful conditions.鈥 Even if you don't get a great shot, the stillness, crisp air, and sound of snow crunching beneath your feet will be well worth it.”


Whether you鈥檙e a professional photographer or an admirer of photography, Olympus has a聽camera聽system that鈥檚 designed for you. The聽stunning compact designs, sophisticated technologies, and powerful imaging help you get your shot in聽ways unlike any other聽camera聽manufacturer. Learn more at聽