Author Mark Sundeen was anguished about the sacrifices of modern life, from marriage鈥斅璸rioritizing someone else鈥檚 interests, living in just one place instead of dirt-bagging around the West鈥攖o the challenge of choosing between far too many brands of butter at the supermarket. So he sought out people who鈥檇 chosen paths of radical simplicity and integrity, those who held true to their principles even when it made life just plain difficult.
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The resulting book, The Unsettlers (), profiles three couples in fast-moving detail, starting with the decision to reject mainstream life and bearing witness to their struggles along the way, in each case ending on a moment when that idealism is put to the test.
We first meet Ethan and Sarah, founders of a self-sufficient community in rural Missouri called the Possibility Alliance, who are so steadfast in their beliefs that they won鈥檛 even ride in a car; then there鈥檚 Olivia and Greg, urban farmers in Detroit who envision reinventing the local food system (and who鈥斅璼poiler alert鈥攔esist the seduction of selling to Whole Foods); and finally come Steve and Luci, food activists in Montana whose acceptance of parts of the modern world is framed, though perhaps not explicitly, against the previous couples鈥� pursuit of perfection. 鈥淏y living within limits,鈥� Sundeen writes of all three, 鈥渢hey find the sort of abundance that so many of us long for.鈥�

Their stories aren鈥檛 simple, just like growing one鈥檚 own food and building shelter from scratch are about as far from simple as a person can get. In The Unsettlers, 鈥渟implicity鈥� instead serves as shorthand for clarity of purpose, difficult work, and unrelenting responsibilities. It鈥檚 about renouncing a prepackaged existence for the true labor of tending land, growing food, and building families. 鈥淲hen I get to make something myself with natural materials and simple tools, of course it鈥檚 hard work and it takes time, but the crafting itself becomes a spiritual experience,鈥� Sarah says. Steve is less prone to poetics. To his sons鈥� laments about the farm demanding constant work, he says, 鈥淭hey have a fucking hockey rink.鈥�
Sundeen鈥檚 voice is wary and personal, and his reporting is compelling. But the motivation behind it鈥攈is ambivalence about settling down with the love of his life鈥斅璶ever quite gels with the rest of the book, particularly because the institution of marriage remains unquestioned even as he picks apart others. (The couples view themselves as revolutionaries, yet they鈥檙e all married, hetero, and have children鈥攖he nuclear family tackles the frontier.) Still, look past the conceptual stuff and the book takes on some important topics: using fewer resources, growing your own food, and pursuing an anticorporate existence. Like marriage, these are acts of radical commitment. Each is a renunciation, whether to people, land, or ideals. Life鈥檚 deepest pleasures come hard, but that doesn鈥檛 mean they鈥檙e not worth working for.